Loving Nature in Troubled Times

A slightly different line-up for last night’s event after, sadly, Jude Rosen became ill with Covid and her joint launch with Derrick Porter had to be postponed. Alex Josephy and Jane McLaughlin were joined by Rosie Johnston and Mick Delap (thank you Rosie and Mick for stepping in at the eleventh hour!) for a reading with a different flavour, but still very much focused on the natural world. From unwanted mice in an Italian kitchen, to the mighty ocean, to bathing huts, to anxiety about climate crisis and possibly a thread of hope… and many birds, trees and water, water, water.

The event’s proximity to National Poetry Day gave me the idea to invite everyone on my mailing list to send in their favourite nature poem. A difficult, almost impossible task, it seems, because there are so many to chose from. Like favourite pieces of music, they also keep on changing. But of the ones sent in, the poets picked a few of the shorter ones and read them in the second half. Rich Sylvester, who had sent his favourite poem, was in the audience and read it himself, beautifully. In the first half the poets introduced their own work by reading a nature poem that inspired them in a particular way.

The feedback about this particular format, both from the sizeable, appreciative and knowledgeable audience and the poets themselves (and me!) was very positive. In a strange way, hearing a ‘classical’ poem first, whether well known or not (and most were not), induced a silent aha moment and a deeper level of listening.

The variety of voices and themes-within-the-theme was astounding and yet there were so many echoes and resonances.Here are some photos of the event.

Thanks to Kim and David at West Greenwich Library for all their help, and in particular to Kim for taking some of the photos.

Please scroll down for a selection of poems chosen by you and by the poets themselves.

Jane, Alex, me, Mick and Rosie
must have been funny….

The Lake Isle of Innisfree – W.B. Yeats
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

Sea-Fever – John Masefield
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by;
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.

I Wandered Lonely as a Cloud – William Wordsworth
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

The Trees – Philip Larkin
The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.

Is it that they are born again
And we grow old? No, they die too.
Their yearly trick of looking new
Is written down in rings of grain.

Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.

My Early Home – John Clare
Here sparrows build upon the trees,
And stock-dove hides her nest:
The leaves are winnowed by the breeze
Into a calmer rest;
The black-cap’s song was very sweet;
That used the rose to kiss;
It made the paradise complete:
My early home was this.

The redbreast from the sweetbrier bush
Dropt down to pick the worm;
On the horse-chestnut sang the thrush,
O’er the house where I was born.
The moonlight, like a shower of pearls,
Fell o’er this ‘bower of bliss’,
And on the bench sat boys and girls;
My early home was this.

The old house stooped just like a cave,
Thatched o’er with mosses green;
Winter around the walls would rave,
But all was calm within;
The trees are here all green again,
Here bees the flowers still kiss,
But flowers and trees seemed sweeter then;
My early home was this.

Infinity – Giacomo Leopardi, in a translation by Jonathan Galassi
This lonely hill was always dear to me,
and this hedgerow, which cuts off the view
of so much of the last horizon.
But sitting here and gazing, I can see
beyond, in my mind’s eye, unending spaces,
and superhuman silences, and depthless calm,
till what I feel
is almost fear. And when I hear
the wind stir in these branches,
I begin comparing that endless stillness with this noise;
and the eternal comes to mind,
and the dead seasons, and the present
living one, and how it sounds.
So my mind sinks in this immensity:
and foundering is sweet in such a sea.

Postscript – Seamus Heaney
And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park and capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.

Stopping by Woods on a Snowy Evening – Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Turtle Island 1969 – Gary Snyder
The rising hills, the slopes
Of statistics
Lie before us
The steep climb
Of everything going up,
Up, as we all
Go down.
In the next century
Or the one beyond that,
They say
Are valleys, pastures,
We can meet there in peace
If we can make it.
To climb these coming crests
One word to you, to
You and your children:
Stay together
Learn the flowers
Go light.

Chance Verses – Chang Liang-Ch’en, twelfth century
Whose are this pond and house?
I lean on the red door yet dare not knock.
But a fragment of sweet
Spring cannot be hidden,
as over the coloured wall
there peeps the tip of an apricot branch.

East of the City in Early Spring – Yang Chu-Yuan (c 760-832)
For the poet the purest aspect is at new Spring.
When the willow’s yellow has not yet equalled its green.
If I wait till the flowers of Shanglin Park are like brocade
All men would go out of doors to see the flowers.
Translations by Robert Kotewall and Norman L Smith

Greenwich Park – Herbert Lomas
Spring’s come, a little late, in the park:
a tree-rat smokes flat S’s over the lawn.
A mallard has somehow forgotten something
it can’t quite remember. Daffodils yawn,
prick their ears, push their muzzles out
for a kiss. Pansies spoof pensive
Priapus faces: Socrates or Verlaine.
A cock-pigeon is sexually harassing
a hen: pecking and poking and padding
behind her impertinently, bowing and mowing.
But when he’s suddenly absent-minded –
can’t keep even sex in his head –
she trembles, stops her gadding, doubts
and grazes his way. He remembers and pouts.

Lulu – Stevie Smith
I do not care for Nature,
She does not care for me;
You can be alone with a person,
You can’t be alone with a tree.

Events

TUESDAY MARCH 25 at West Greenwich Library, 7.30 – ‘Mica Press launch: new poetry from Rosie Johnston, Michael Vince and Antony Johae.’ With Nayma Chamchoun, Michael Foley and Leslie Bell.

An evening of poetry from six very different voices. Here’s something about them:

Leslie Bell was born in Scotland and spent his boyhood on Tyneside, in Finland, and in Scotland. While studying in Washington D.C.,  he came across Dante’s La Vita Nuova and promptly decided to ‘read’ English Literature instead of History at King’s College, Cambridge. His working career has been varied to say the least: he made an educational filmstrip on Elizabethan theatres, sold ice cream, worked as a hospital porter, auxiliary nurse, carpenter and plasterer, potato salesman, English teacher, drama student, printer, bookshop assistant, systems programmer in university web support and e-learning, and support worker with autistic adults. In 2012 Les founded Mica Press & Campanula Books in Wivenhoe, Essex, where he has lived since 1978. At Mica he edits and publishes poetry and non-fiction. His own poems have appeared in many magazines and in the anthology Days begin… (ed. Peter Kennedy, Wivenbooks, 2016). Archipelagos, poems by Leslie Bell, (Mica Press, 2012) is available in paperback from https://micapress.uk/ .

Nayma Chamchoun is a British Moroccan writer, poet and performance poet. Her writing is influenced by her cultural duality. She is interested in female voices in the diaspora communities, the challenges they face within them, especially around the taboos surrounding mental health. Nayma is an active member of London’s vibrant Poetry and Spoken Word community, the international Poetry community online and has performed her work at several Poetry Open Mic events including the one marking Grenfell 5 year Anniversary, Women Writing Lockdown Exhibition at the House of Commons. Her work was featured on West Wiltshire Radio & BBC Radio London several times. Nayma’s first poetry collection COVID: THE WORDY WILDS OF A MIND UNDER LOCKDOWN was published to critical acclaim in 2022. Her second collection, Saging Not Ageing, was published on June 1st 2024.

Michael Foley is a Northern Irish writer who lives in London, where he worked as a Lecturer in Information Technology at the University of Westminster before taking early retirement to concentrate on writing. He has published four novels, four philosophy books and six poetry books, including New and Selected Poems (Blackstaff Press 2011) and, most recently, a long poem, The Whole Thing (Mica Press 2023). Plenty to read about him and details of all his books on his website michael-foley.net

Antony Johae gained a Ph.D from the University of Essex with a comparative study of Dostoevsky and Kafka. His book Franz Kafka, Maker of Dreams will be published this year by Cambridge Scholars. Antony has taught literature in Ghana, Tunisia and Kuwait. He retired in 2009 and now divides his time between Colchester and Lebanon (his wife’s country of origin). Since retiring, he has published four poetry collections: Poems of the East (Gipping Press, 2015); After-Images: Homage to Eric Rohmer (Poetry Salzburg, 2019); Ex-Changes (The High Window, 2020); Home Poems (Orphean Press, 2022), and most recently the pamphlet Foreign Forays: Poems of Travel in Europe and the Med, from which he will be reading at the event. Palewell Press, which specialises in works on refugees, human rights and ecology, will bring out Antony’s prose collection Lines on Lebanon later this year.

Rosie Johnston’s writing spans journalism, drama, fiction and poetry, with novels published in Dublin and London and four books of poetry by Lapwing Publications in her native Belfast. Six-Count Jive (Lapwing, 2019), describes the inner landscape of her complex post-traumatic stress disorder and led to readings at Glasgow and Vigo universities and inclusion in Her Other Language (Arlen House, 2020). Rosie’s poetry also appears in the Northern Irish section of Places of Poetry (OneWorld, 2020), the Mary Evans Poems and Pictures blog and various magazines. Her first venture back into fiction in ten years, Laughing and Grief, was published in American Writers Review. Rosie will be reading from her fifth book of poetry, Safe Ground, just published by Mica Press. Rosie reviews poetry for London Grip and is a generous and inspirational teacher and mentor. rosiejohnstonwrites.com

Michael Vince taught in Italy and the UK before emigrating to Greece in 1977 where he worked in language teaching, teacher education, and materials writing.  His son Alex grew up in Athens, and lives there still with his Greek family, so Greece is a large part of his life still, and some of his poems are set there. Michael has published a lot of ELT textbooks of various kinds with Heinemann and Macmillan, and has been a freelance author since 1988. Since returning to the UK in 1994 he has lived mainly in different parts of London, and tends to write himself into anywhere new. He now lives in Greenwich, which features a lot in the poems of Back to Life. Since the 1960s his poetry has appeared in numerous magazines, and his collections include: The Orchard Well, Carcanet 1978; Mountain, Epic and Dream, Hunting Raven 1981; In The New District, Carcanet 1982; Gaining Definition, R L Barth 1986;  Plain Text, Mica Press 2015, Long Distance, Mica Press 2020,  A Conversation with George Seferis, Rack Press 2022, Back to Life, Mica Press 2023, and Legwork Mica Press 2024. At present (2025) he is writing poems mainly about Water.

Doors will open at 7 for a 7.30 start. Refreshments and books available. Free event, all welcome.

TUESDAY MAY 13 at West Greenwich Library – ‘Maggie and Maggie’. Same name, different voices: poetry from Maggie Butt and Maggie Harris.

TUESDAY JUNE 24 at West Greenwich Library – ‘Telltale Poets: Sarah Barnsley, Robin Houghton and Peter Kenny’