HEAD LINES October 8

To mark Mental health Awareness Week and to honour everyone who has suffered or is still suffering mental anguish – and indeed those who care or have cared for them, in-words invited four superb and very different poets to read at the lovely West Greenwich Library.

Mick Delap started us off with readings from Gerard Manley Hopkins, mapping his descent into the gloomiest of depressions, and brought the evening to a close with his latest poem – a moving, heartfelt reaching out to those who think differently about certain issues (I let you guess which ones) – and the sadness at being spurned, at the unwillingness to bridge the gap.

Tessa Foley read from her published collection, Chalet Between Thick Ears (Live Canon) and from her more recent poems and her ‘work in progress’. Raw, funny and moving, Tessa’s words go way beyond ‘standard’ feminist poetry. They are a mirror of the dilemmas and struggles that young women face, bold statements alternating with lines of disappointment, confusion, anger and great courage.

Peter Wallis is a twin. As his twin brother, a young man at the time, underwent a long series of brain operations, Peter started undergoing a process of ‘untwinning’ as he witnessed his brother’s physical illness and analysed his own parallel mental turmoil caused by it. His verses, with their almost obsessive rhythm and medical connotations, perfectly portrayed the brothers’ closeness, their despair and hope and the sense of loss that was never far away. Peter’s experience of hospital waiting rooms led him to start and edit the free pamphlets ‘Poetry in the Waiting Room’.

Sally Festing is the daughter of Derek Richter, the founder of the Mental Health Foundation. Derek’s two siblings, very artistic young people, and his own mother suffered from serious depression – something they could only express, in those days, as ‘being unwell’. Treatment was brutal and Derek had the courage and the drive to work towards a better awareness of mental ill health and better treatment for it. Sally worked on the vast archive of letters and documents inherited from her father, some of which she put into verse, coupled with her own words, put at times into her ancestors’ mouths, creating her latest published collection, Darling Derry.

The whole evening was riveting and I know it will stay with me for a long time. If you wish to donate to the two chosen charities, please go to www.mentalhealth.org.uk and www.thecalmzone.net (or in particular www.justgiving.com/fundraising/daniel-hill52

Thank you

Events

TUESDAY FEBRUARY 4 at West Greenwich Library: ‘A Better Future’ – poetry from Jacqueline Saphra and Sue Rose. Music on harp by Lucia Fusi. An event to remember and honour all victims of hatred and discrimination. 7.30 (please note later starting time). All welcome.

Jacqueline Saphra is a poet, playwright and activist. She is the author of nine plays, five chapbooks and five poetry collections. The Kitchen of Lovely Contraptions (flipped eye 2011) was nominated for the Aldeburgh First Collection Prize. If I Lay on my Back I Saw Nothing but Naked Women (The Emma Press 2014), illustrated by Mark Andrew Webber and set to music by Benjamin Tassie won the Saboteur Award for Best Collaborative Work. Jacqueline’s T.S. Eliot Prize-shortlisted collection All My Mad Mothers (2017) and her subsequent one, Dad, Remember You are Dead (2019) were both published by Nine Arches Press. Her newest play, The Noises was shortlisted for a Standing Ovation AwardJacqueline’s collection, One Hundred Lockdown Sonnets (2021) was followed by Velvel’s Violin in July 2023 (Nine Arches Press), a Poetry Book Society Recommendation and BBC Radio 4 Extra Poetry Book of the Month. Her latest project is the libretto for ‘A Kind of Haunting’, an opera by British Jewish composer Michael Zev Gordon, which will be staged at The Barbican in March 2025. Jacqueline is a founder member of Poets for the Planet and has taught in many different settings including The Arvon Foundation, The Poetry School, Oxford University Summer School and the MsT at Cambridge University. 

Sue Rose is a poet and literary translator working in Kent. As a translator, her work spans many genres, including libretti, novels and a series of books about the adventures of France’s answer to Harry Potter, Oksa Pollock. In 2004, she completed an MPhil in Writing with a thesis on the theory and practice of the translation of poetry. As a poet, her work has appeared in a variety of magazines and anthologies. In 2008, she won the Canterbury Festival Poet of the Year Competition and in 2009, the International Troubadour Poetry Prize. Sue is the author of three collections from Cinnamon Press – From the Dark Room, The Cost of Keys and ScionHeart Archives, a chapbook of sonnets paired with her own photos, was published by Hercules Editions in 2014 and Tonewood, poems in response to black and white photos of trees by photographer Lawrence Impey, was published by Eaglesfield Editions in 2019. Her fourth collection, Aleph Bet, a sequence of poems exploring the Hebrew language, accompanied by some of her own photos, will be published later this year by Cinnamon Press. Sue plays tennis at club league level and is also a keen pickleball player, having won several gold and silver medals in international and national competitions in her age group.

TUESDAY MARCH 4 at West Greenwich Library – a special evening on the poetry and life of Geoffrey Grigson (1905-1985) and his contemporaries. With Caroline Grigson, Graham High, Blake Morrison and others.

TUESDAY MARCH 25 at West Greenwich Library – ‘Mica Press launch: new poetry from Rosie Johnston, Michael Vince and Antony Johae.’ With Nayma Chanchoun, Michael Foley and Leslie Bell.

TUESDAY MAY 13 at West Greenwich Library – ‘Maggie and Maggie’. Same name, different voices: poetry from Maggie Butt and Maggie Harris.

TUESDAY JUNE 24 at West Greenwich Library – Poetry with Robin Houghton and friends.