Night Watched

January 20, 2021

I told myself I must avoid using words such as ‘stellar’, ‘out of this world’ etc. when describing the readers at this zoom event on January 19th and their work. But there are other superlatives I could use for Graham High, NJ Hynes and Oliver Morton – members of the large audience suggested several in their complimentary emails following the readings…

Graham’s first reading was from a series of poems both disturbing and beautiful – about loss of direction, failure to preserve the planet we have and the (doomed?) search for personal and collective meaning and a route to a safe place. They mirrored, as someone pointed out, the plight of migrants on earth, turning dystopia topical.

Graham’s second set included three poems on 18c Astronomers Royal, Edmund Halley, James Bradley and Nathaniel Bliss. A very different mood – witty and irreverent. Unfortunately, neither collection is available in print, the first out of print and the second not yet published.

NJ Hynes’ poetry is word perfect, giving expression to every emotion with wit, irony and tenderness, always finding an unexpected but completely ‘spot-on’ way to describe both personal and collective experiences. So, as always when listening to or reading her poems, we were moved deepy, entertained greatly and impressed immensely! And she left us with questions about how the moon feels about its role, and about us…

Oliver Morton’s latest book The Moon: A History for the Future, which was serialised on R4 in 2019 shortly after its publication, contains not only scientific details and amazion photographs, but also Oliver’s original musings and statements linking science and art and culture in general. The images he chose to share with us were stunning and interesting, from the rather ‘retro’ picture of people waiting for the launch of Apollo 8, to images of the launch itself, to the views from the lunar module (with transcript of some of the conversations among the astronauts), culminating with the undoctored image of Earth Rising, in which the Earth, partly in shade, is reclining off centre and the moon surface is also at an angle. This image, more than the better-known symmetrical composition, showed the immediacy and awe of that sight.

At a time when we are shut indoors for so much of the time, and, when outside, we are often looking down, trying to avoid (as NJ said) discarded masks, or look straight ahead trying to decide whether we or others should step aside and keep out of the way, spending an evening thinking about the magical vast space around and above us, was, at least for me, like therapy!

Events

Tuesday October 8th: ‘Loving Nature in Troubled Times’
7pm at West Greenwich Library

As close as we could to National Poetry day, the launch of Derrick Porter’s and Jude Rosen’s new poetry collections (The Art of Timing and Reclamations from London’s Edgelands respectively, both with Paekakariki Press), who will be joined by Alex Josephy and Jane McLaughlin.

A free event. Books and pamphlets will be available to buy. Plenty of refreshments (donations welcome). Door will open at 6.45 for a 7pm start.

Here’s some information about the poets:

Before moving to Rye, Alex Josephy lived in London and sometimes in Italy. Now her imagination and her poems live in three different worlds; she feels lucky to be discovering a new one among the East Sussex marshlands. Alex has worked as a teacher and university lecturer and as an NHS education adviser. Her most recent collection is Again Behold the Stars, a Cinnamon Press pamphlet award winner, 2023. Other work includes Naked Since Faversham (Pindrop Press, 2020) and White Roads (Paekakariki Press, 2018). Her poems have won the McLellan and Battered Moons prizes, and have appeared in magazines and anthologies in the UK, Italy and India. You can find out more on her website: www.alexjosephy.net

Jane McLaughlin writes and publishes poetry and short stories. Her publications with Cinnamon Press include Quintet (poetry with four other poets); Quartet (short stories with three other authors) and Lockdown (prizewinning full poetry collection). Her short stories have been widely published by Arachne Press, The Frogmore Papers, Under the Radar and elsewhere. Her short story ‘Trio for Four Voices’ was included in Best British Short Stories 2018 (Salt). She has been longlisted in the National Poetry Competition and has been placed and listed in many other competitions. Ephemeral, her collection of thirty poems on the themes of climate emergency and the natural world was one of the winners of the Dreich Classic Chapbook competition in 2023. Phil Barnett writes of Ephemeral: These fine poems are like breaths on a window pane. Her words condense the ineffable…into something we can see, read, feel.

Derrick Porter grew up in Hoxton and why he began to write poetry from the age of thirteen remains one of life’s unsolved mysteries. From the time he first began to write, to well into his thirties, he wrote in ignorance of there being a poetry scene. In his early forties he joined a ‘Writing for Pleasure’ group tutored by the poet Ted Walter – the first poet he ever met. Ted suggested he send his poems to Envoi, and from then on Derrick’s poems began to appear alongside mainstream poets. In 2002 he joined the Poetry School where – under the guidance of Mimi Khalvati – he became part of the wider poetry scene. His poems have appeared in magazines such as Magma, Acumen, Interpreter House, The New Writer, Brittle Star, Poetry Review, The Long Poem Magazine, and in two anthologies: I Am Twenty People, and This Little Stretch of Life. He has also enjoyed success in a number of poetry competitions. His second collection, The Art of Timing, is coming out in September for Paekakariki Press.

Jude Rosen is a former historian, urban researcher and translator and as a poet currently runs workshops for refugees. Her pamphlet, A Small Gateway, (Hearing Eye, 2009) explored East End Jewish life and intercultural exchange with Berlin, Sarajevo, Palestine. At the moment she is writing a long sequence on Gaza. Reclamations from London’s Edgelands,  which emerged from artistic resistance to the Olympic redevelopment, has recently been published by Paekakariki Press (May 2024). Poems from it appeared in The Art of Dissent: Adventures in London’s Olympic State, (Marshgate Press, 2012); Long Poem Magazine, South Bank Poetry London Poems Anthology and Envoi and were performed on poem and living history walks of the marshes, 2015-19 (poemswalks.wordpress.com). A video “Desire Paths – a film haibun” of a walk on Leyton Marsh was produced by Fawzia Kane in 2016 (https://vimeo.com/197324168).

NOVEMBER 26th – an evening with poets who write in English while English is not their native language – with Natan Barreto, Isabel Bermudez and Kostya Tsolakis (and more).

FEBRUARY 4 – readings by Jacqueline Saphra and Sue Rose