Night Watched

I told myself I must avoid using words such as ‘stellar’, ‘out of this world’ etc. when describing the readers at this zoom event on January 19th and their work. But there are other superlatives I could use for Graham High, NJ Hynes and Oliver Morton – members of the large audience suggested several in their complimentary emails following the readings…

Graham’s first reading was from a series of poems both disturbing and beautiful – about loss of direction, failure to preserve the planet we have and the (doomed?) search for personal and collective meaning and a route to a safe place. They mirrored, as someone pointed out, the plight of migrants on earth, turning dystopia topical.

Graham’s second set included three poems on 18c Astronomers Royal, Edmund Halley, James Bradley and Nathaniel Bliss. A very different mood – witty and irreverent. Unfortunately, neither collection is available in print, the first out of print and the second not yet published.

NJ Hynes’ poetry is word perfect, giving expression to every emotion with wit, irony and tenderness, always finding an unexpected but completely ‘spot-on’ way to describe both personal and collective experiences. So, as always when listening to or reading her poems, we were moved deepy, entertained greatly and impressed immensely! And she left us with questions about how the moon feels about its role, and about us…

Oliver Morton’s latest book The Moon: A History for the Future, which was serialised on R4 in 2019 shortly after its publication, contains not only scientific details and amazion photographs, but also Oliver’s original musings and statements linking science and art and culture in general. The images he chose to share with us were stunning and interesting, from the rather ‘retro’ picture of people waiting for the launch of Apollo 8, to images of the launch itself, to the views from the lunar module (with transcript of some of the conversations among the astronauts), culminating with the undoctored image of Earth Rising, in which the Earth, partly in shade, is reclining off centre and the moon surface is also at an angle. This image, more than the better-known symmetrical composition, showed the immediacy and awe of that sight.

At a time when we are shut indoors for so much of the time, and, when outside, we are often looking down, trying to avoid (as NJ said) discarded masks, or look straight ahead trying to decide whether we or others should step aside and keep out of the way, spending an evening thinking about the magical vast space around and above us, was, at least for me, like therapy!

Events

TUESDAY NOVEMBER 26th at West Greenwich Library, 7pm (doors open at 6.45)
BETWEEN LANGUAGES – an evening with poets who write in English while English is not their native language – with Natan Barreto, Isabel Bermudez, Farah Naz and Kostya Tsolakis.

What are the internal processes that allow poetic expression of beauty and meaning in a language different from the native one? Is there a ‘shadow language’? And does that language leave the shadows and becomes ‘light’? As bilingual (though not technically) myself, I find the concept both important and intriguing. I know that our journeys into the English language are bound to be very different and I am looking forward to a conversation about it after what promises to be great and diverse readings.

A FREE event as always, with books for sale and refreshments galore…

Here’s some information about the poets:

Natan Barreto was born in Salvador, Brazil. He has lived in Rio, Paris, Rome, and, since 1992, in London. He is the author of seven collections of poetry in Portuguese: Under the Roofs of the Night (1999); Hiding Places on Paper (2007); Still Movement (2016); Creatures: animal sketches (2017); A backyard and other corners (2018), which won the Sosígenes Costa Poetry Prize, awarded by the Academy of Letters of Ilhéus, in Bahia, Brazil; The Rhythm of the Circle: photographic poems (2019); and The Hollow Soul (2021). He is also a published novelist, biographer and translator. Natan’s poems in English have appeared in Poets Adrift: first anthology of Brazilian diaspora poetry (2013); and, in 2019, an anthology of his poetry was published in German, titled Ausgewählte Gedichte. He has given poetry readings at the Brazilian Embassy in London, the Museum of London, the Royal Court Theatre, the Barbican, and the universities of Queen Mary and Nottingham. www.natanbarreto.com

Isabel Bermudez is a poet and textile artist living in Orpington, Kent. Her collection Serenade (Paekakariki Press, 2020) features poems evoking Spain and the New World, with illustrations by Simon Turvey. Her most recent published collection is Bar de las Reminiscencias (Paekakariki Press, 2024), also with illustrations by Simon Turvey. She performs her poetry widely at readings and festivals and was recently hosted by the Colombian Embassy and the Instituto Cervantes, Manchester, in conversation with Welsh poet and translator, Richard Gwyn. In a previous life she lived and worked as a television producer/director in Sri Lanka and as a documentary film maker in Colombia. She has held many jobs, including grape picker in France, shop assistant and special correspondent; she now works in the Sen department of an Academy in South East London. More at www.isabel-bermudez.com.

Farah Naz is a British Bangladeshi poet, writer, story teller and translator. As well as teaching at a Lewisham primary school, she is a performing member of the acclaimed storytelling group ‘EAST’ and is Director of the British Bilingual Poetry Collective (BBPC). Maya Mirror of Soul, her collection of English poems was published in 2004 and her Bengali poem book Hemonter Chirkut in 2022. Farah’s poetic themes encompass nature, human emotions and metamorphosis of love and life. Farah received the ‘Youth Leadership Award’ from Unicef, Bangladesh in 1999 for her writing, and won the ‘Story of 1971’ short story competition by Tower Hamlets Council in 2021. Her poems and stories have been widely published in various books and magazines such as Swirl of Words, British Bangladeshi Poetry Anthology, London Folk Tales for Children and many more. Along with writing poetry, Farah enjoys cooking and nature photography. 

Kostya Tsolákis was born and raised in Athens, Greece, and now lives in London. He is founding editor of harana poetry, the online magazine for poets writing in English as a second or parallel language. In 2019 he won the Oxford Brookes International Poetry Competition (ESL category). His poems have been widely published in magazines, including fourteen poems, Magma, Poetry London, The Poetry Review and Under the Radar, and anthologies, such as 100 Queer Poems (Vintage, 2022). His debut poetry pamphlet, Ephebos, was published by ignitionpress in November 2020. Greekling, his much-anticipated poetry collection celebrates and commemorates damaged and rejected Greek bodies, be they of flesh and blood or made of marble. The collection intertwines Greek culture, history and poetic influences with the contemporary queer experience in a perceptive, lyrical, and deeply evocative way.

And save these dates….

TUESDAY FEBRUARY 4 at West Greenwich Library- readings by Jacqueline Saphra and Sue Rose.

TUESDAY MARCH 25 at West Greenwich Library – ‘Mica Press launch: new poetry from Rosie Johnston and Michael Vince.’ With Nayma Chanchoun, Michael Foley and Lesley Bell.

TUESDAY MAY 13 at West Greenwich Library – ‘Maggie and Maggie’. Same name, different voices: poetry from Maggie Butt and Maggie Harris.

TUESDAY JUNE 24 at West Greenwich Library – Poetry with Robin Houghton and friends.