tall-lighthouse redux

On Thursday 20th a collaboration between in-words and tall-lighthouse brought together four very different poets, whose innovative, unusual and interesting voices contrasting in the most stimulating way.

This was a great celebration of tall-lighthouse’s return to publishing ‘bloody good poetry’. It is owned and run by Les Robinson, who often acts also as mentor and editor, and you could tell that, despite the marked differences between the poets, the common theme was the depth of their empathy, skill and enthusiasm. And that is probably also thanks to Les and his empathy, skill and enthusiasm.

For this event, Les also prepared and managed the powerpoint slides of the texts. For once, I felt I was part of the audience, I could sit back and simply enjoy the readings.

Christopher Horton read from Perfect Timing, the perfect title for his precise, yet playful and sensitive poems. “Christopher Horton’s many voices are equally at home in the city and in the wilds. Perfect Timing surprises with what often goes unnoticed.” Katrina Naomi.

Joshua Calladine-Jones read from Constructions [konstrtukce]. Based in Prague, his poems are experimental sequences assembled from snippets of online conversations, notes and fragments in incorrect English as used by Czech people during lockdown – somehow managing to create narratives out of them.

Sarah Shapiro, born in Chcago and living in Boston, read from her first pamphlet, The Bullshit Cosmos (ignitionpress), and from Being Called Normal. Her poetry grows from a dialogue between her and the impersonal language of diagnostic assessments, and urges us to challenge the easy labelling of children and adults.

With Mark Wynne, we were treated to words and images. Frank Auerbach’s strong, sensuous paintings and drawings work as more than mere inspiration for Mark’s pared-down verse in Frank & Stella. Like Auerbach, Mark scrapes away at what he finds to be not essential “[…] to produce something distinctive and disorienting.” John Clegg.

The pamphlets can be ordered by emailing tall.lighthouse@yahoo.com

A big thank you to Les, Christopher, Joshua, Sarah, Mark and the audience.

Events

TUESDAY JUNE 24, 7.30 at West Greenwich Library: ‘Telltale Poets: Sarah Barnsley, Robin Houghton and Peter Kenny’

in-words last event before the summer break promises to be another intriguing and captivating mixture of voices. Read on and you’ll see why…

Free as always. All welcome.

Telltale Press (telltalepress.co.uk) is a poets’ publishing collective founded in 2014 by Robin Houghton and Peter Kenny. Three more poets joined the press, including Sarah BarnsleyCatherine Smith joined them as Associate Editor and Carol Ann Duffy agreed to be their patron. Their aim was to ‘seize the means of poetry production’: they published each other’s debut pamphlets, which served as ‘calling cards’ to help get their work out there and win the attention of publishers. It certainly worked, since all members went on to have collections published by other poetry presses. Between 2014 and 2018 Telltale also hosted numerous readings in London, Brighton and Lewes featuring guest poets, culminating in an anthology, Truths. Telltale Press is currently on hiatus while considering ways to take it forward.

Robin Houghton (robinhoughtonpoetry.co.uk) is the author of four poetry pamphlets including Why? And Other Questions (Live Canon, 2020) which was a winner of the Live Canon Pamphlet Competition 2019. Her work is published in many magazines including Mslexia, The Rialto and Poetry News, and is widely anthologised.  She was awarded the Hamish Canham Prize from the Poetry Society in 2013. She co-founded Telltale Press with Peter Kenny and their current collaboration is the podcast Planet Poetry (planetpoetrypodcast.com) begun during the 2020 pandemic. Robin compiles and distributes a free spreadsheet of poetry magazines submission details, updated every quarter. Her first full collection The Mayday Diaries was published by Pindrop Press in May 2025.

Peter Kenny (peterkenny.co.uk) co-hosts the Planet Poetry podcast with Robin Houghton. Poetry publications include Mariscat Sampler One (Mariscat Press 2024), Snow (Hedgehog Poetry Press 2024) Sin Cycle (e.ratio, New York 2020) The Nightwork (Telltale Press 2014) and A Guernsey Double (2010, Guernsey Arts Commission). His dark fiction short stories have appeared in Supernatural Tales, Horla, Frogmore Papers – and US publications. His six comedy plays, including A Glass of Nothing, have been performed in London, Brighton and Edinburgh. 

Sarah Barnsley’s most recent book is The Thoughts, (Smith|Doorstop, 2022) and her edition of Mary Barnard’s Complete Poems and Selected Translations will be published in June 2025 by SUNY Press. Sarah is currently writing a collection of poems on queerness and the therapeutic encounter.

TUESDAY SEPTEMBER 2 at West Greenwich Library – Jude Rosen, Derrick Porter and Jemma Borg

TUESDAY OCTOBER 7 at West Greenwich Library – Fiona Moore, Gale Burns and Lisa Kelly